Animated paintings, a clay self‑figure, and a haunting vocal soundscape intertwine to explore memory, place, and the slow unearthing of the self through attentive listening to landscape and origin.
Listening Intently to the Copse:
The gravitational pull of childhood haunts—
a landscape that shaped me most vividly
through my fractured moments.
Listening Intently to the Beck:
Eels wind ribbon-like from under the bridge
into the obscure waters of my memory
I trace them downstream.
Listening Intently to the Dale:
In the dimness and indifferent light
I offer myself to your purpose
and the child I was.
Listening Intently to the Self:
Wealletune, here I am.
Brushing soil from the earliest layers of myself,
I arrive at a quiet, haunting recognition of where I began.
Concept, artwork, and audiovisual composition by Gaynor Perry,
combining animated paintings, a bandaged clay figure, and a layered vocal soundscape.
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Each painting measures 30 × 30 cm and is executed in oil on board.
The sculpture is made from air‑drying clay, wrapped carefully in gauze bandages,
and measures 15 × 12 × 14 cm.
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