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Blue Agatha |
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She Spoke With Fingers Unwound |
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Our Colloquy |
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We Set Sail |
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Blue Agatha |
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She Spoke With Fingers Unwound |
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Our Colloquy |
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We Set Sail |
This song explores the phenomenon of astral projection.
Music written, performed, produced & mixed by Gaynor Perry
Mastered by Cass Irvine
Film, photography and concept by Gaynor Perry
Imagery amplified by Runway
For me, producing a piece of music is like creating a sculpture. I consider the overall sound in spatial terms with special attention to width, depth and tonal substance.
Assembling the lyrics is a puzzle to solve with each word carrying a certain weight, suspended along the timeline like an unusual piece of jewellery, if you will. Vocal harmonies form pendants or pendulums augmenting the expression of the song.
I strive for each layer to be distinct with different sound elements weaving in and out of the mix. In this way I hope to create a textured and immersive listening experience.
I work intuitively in all my creative pursuits. These things are an aspect of me hewn from my personal experiences, and I sense in my body when a piece feels complete.
Urania is one of the nine Muses in Greek mythology, specifically the Muse of astronomy. She’s the daughter of Zeus and Mnemosyne, and is associated with universal love and the ability to foretell the future by the arrangement of constellations.
We can call upon Urania in our pursuit for celestial knowledge and exploration of the stars.✨
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#1 12 September 2024 |
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#2 15 September 2024 |
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#3 24 September 2024 |
Encephalic Cleansing is the name I give to my spontaneous works originally produced using gouache paint on watercolour paper.
This cathartic pursuit has expanded into a form of embroidery using unbleached calico and black thread.
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#4 28 September 2024 |
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#5 3 October 2024 |
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#6 10 October 2024 |
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#7 13 October 2024 |
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#8 31 October 2024 |
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#9 3 November 2024 |
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#10 9 November 2024 |
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#11 10 November 2024 |
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#12 24 November 2024 |
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#13 11 May 2025 unbleached calico, black gouache, black thread |
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Subliminal Artefact #1 wood, jute twine, unfired clay w36 x h32 x d8 cm |
Labouring under the sun, with red kites gliding and whistling overhead, I’ve been immersed in a kind of medieval recall, compelling me to whittle wood. The shape of the wood demanded natural twine, which I am weaving, winding, and plaiting. These sticks were collected from a nearby woodland.
Instinctively assembled, these artefacts have no practical purpose. They serve as an echo, reminiscent of a time when we were deeply connected to the land, governed by the seasons and feudal lords. Back then, contraptions were crafted to accomplish everyday tasks using readily available materials.
These simple objects stand as a totem—a tactile connection to nature and our long-forgotten tasks.
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Subliminal Artefact #2 - The Weary Serf wood, jute twine, cotton, wax, unfired clay w50 x h32 x d15 cm |
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Subliminal Artefact #3 wood, jute twine, wax w27 x h42 x d14 cm |
After work I found a quiet spot in an old, overgrown gravel pit. Using leaf litter, and whatever natural debris is strewn about me, I’m meditatively organising these things until a sense of harmony is reached.
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24 June 2024 |
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25 June 2024 |
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26 June 2024 |
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28 June 2024 |
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29 June 2024 |